2+2=5: Orwell Warned Us About This.

October 31, 2025
'Make Orwell Fiction Again', protest sign at the National Mall, April 5, 2025

“Hands Off!” protest, Washington DC, April 5, 2025

Filmmaker Raoul Peck premiered his documentary Orwell: 2+2=5 in April at the Cannes Film Festival, where it was nominated for the L’Œil d’or prize. The film was made with the cooperation of the Orwell Estate. It’s being show at far too few US theaters at the moment, but you’ll be able to rent it soon on Prime for $12.99. Expensive, but that’s $6.85 less than $19.84.

BTW, If you think we’re not in “Big Brother” territory now, look here.

More:

“‘Orwell: 2+2=5’ Review: How George Came to See the World as Orwellian,” Manohla Dargis, New York Times

“How Orwell Helps Us Remember Truth: Raoul Peck on his new essay film, ‘Orwell: 2+2=5’,” Sonny Bunch, The Bulwark

“Raoul Peck on His Cannes-Bound George Orwell Documentary and the Threat of Dictatorship: ‘Terror Comes Slowly’”, Lise Pedersen, Variety

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Top photo: Sign at the “Hands Off” protest on the National Mall, Washington DC, April 5, 2025. Download a copy here. Creative Commons license; credit Mike Licht, NotionsCapital.com

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How Could They?

October 29, 2025

How could so many people support Hitler?

Hannah Arendt … dedicated herself to understanding how the Nazi regime came to power, and … how it inspired so many atrocities. She believed the true conditions behind the … rise of totalitarianism weren’t specific to Germany, and developed theories on how to best combat such threats.” A TED-Ed video by Joseph Lacey, narrated by Christina Greer, directed by Sarah Saidan, and animated by Paul Cotoni.

Related:

“What Hannah Arendt can teach us about totalitarianism,” Helen Nianias, BBC

“Anti-Fascism 101,” Joshua M. Hall, Hannah Arendt Center, Bard College

“Conformity and Consent in the National Community,” Facing History

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Top graphic from Occupy Democrats.

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Public Housing Tenant Trashes Dwelling Unit

October 27, 2025
="British Army redecorates the White House, 1814"

The British Army redecorates the White House, 1814. Painting by Tom Freeman for the White House Historical Association.

A tenant in the Washington DC public housing unit at 1600 Pennsylvania Avenue NW has irreparably damaged one-third of the structure. He plans to build a 90,000-square-foot glass-walled funhouse in its place, and will definitely not be getting his damage deposit back. The resident, one Donald John Trump, has also redecorated the building’s office suite to look like a 19th century Macau bordello.

The historic pre-demolition structure was digitally scanned, so maybe it can be 3D printed for the next tenant. That’s assuming the current occupant leaves when his lease terminates in January 2029.

More:

“Experts Raise Concerns Over Trump’s White House Ballroom Renovation Plans,” Ashley Ahn, New York Times

“Trump’s teardown of White House’s East Wing raises questions of authority,” Ryan Mancini, The Hill

“What donors to Trump’s White House ballroom stand to gain from the federal government,” Laura Doan and Julia Ingram, CBS News

“Trump’s White House Ballroom Sparks Questions About Funding and Ethics,” Alan Jaffe, FactCheck.org

“East Wing demolition isn’t the first time Trump has ruffled feathers with a wrecking ball,” Dan Morrison, USA Today

“From the gilded Oval Office to a new monument: A look at Trump’s renovation projects,” Amanda Macias, FoxBusiness

Update:

“At the White House, tourists can’t look away from the East Wing demolition, Paul Schwartzman. Washington Post

For procurement, design, and construction nerds:

“AIA Advocates for Preservation and Transparency in Proposed $200 Million [sic] White House Expansion,”American Institute of Architects

“White House East Wing Razed for $300M Ballroom,” Bryan Gottlieb, ENR

“Clark nabs $200M [sic] White House ballroom project,” Zachary Phillips, ConstructionDive 

“Contractors are bringing ‘sample slabs of granite’ to White House for Trump to review ‘himself,'” Lesley Abravanel, Newsbreak

“White House Ballroom Build Advances as Oversight Gaps Emerge,” Bryan Gottlieb, ENR

Nerds:

Even though the site is federal property, this project is privately-funded, and the bidding process was not transparent. Was this a no-bid contract? Let us know.

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Top image: “Days of Destruction: August 24-25, 1814” by Tom Freeman, painted for the White House Historical Association.

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Best Beasts

October 26, 2025

Weekend Music: “Best Beasts,” written by Matt Harlan, recorded by BettySoo, 2022.

Pick me up and take me for a ride
Flip me over like a 45
Drag me tumbling through the riptide
I need to look the way I feel tonight

BettySoo website

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The Price of Love

October 26, 2025

Weekend Music: “The Price of Love,” written  written by Don Everly and Phil Everly, recorded by Buddy Miller, 2002.

Buddy Miller website

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Left Over Love

October 26, 2025

Weekend Music: “Left Over Love,” written by David Porter and Isaac Hayes, recorded by Judy Clay and William Bell, 1968.

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I’m Walking the Dog

October 26, 2025

Weekend Music: “I’m Walking The Dog,” written by Cliff Grimsley, recorded by Buck Owens, 2013.

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Walk In Jerusalem

October 26, 2025

Sunday Morning Gospel Music: “Walk In Jerusalem,” recorded by Marc Cohn and The Blind Boys Of Alabama, 2019.

Marc Cohn website

The Blind Boys of Alabama website

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Falling Back in Love with You

October 25, 2025

Weekend Music: “Falling Back in Love with You,” written and recorded by Lonnie Mack, 1985. Stan Szelest on piano and organ.

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Mighty Mighty

October 25, 2025

Weekend Music: “Mighty Mighty,” written by Maurice White and Verdine White, recorded by the Charlie Hunter Quartet featuring Theryl DeClouet, 2001. Originally recorded by Earth, Wind, & Fire in 1974.

Charlie Hunter website

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