“Get Out Of My Life Woman,” written by Allen Toussaint, recorded by Lee Dorsey, 1965.
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Short link: https://wp.me/p6sb6-uGv
Comments are welcome if they are on-topic, substantive, concise, and not boring or obscene. Comments may be edited for clarity and length.
“The Right Place,” written by Bill Carter, Ruth Ellsworth, and Tony Villanueva, recorded by The Derailers, 1999. Video directed by Chris Rogers.
The Derailers website
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“Umbriago,” written by Irving Caesar and Jimmy Durante, performed by Mr. Durante in a clip from the 1944 movie Music for Millions. Umbriago is apparently a happy-go-lucky character in Italian folklore.
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Comments are welcome if they are on-topic, substantive, concise, and not boring or obscene. Comments may be edited for clarity and length.
K-Pop, South Korea’s pop music, is big business. A PolyMatter video.
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“I Had Some Money,” performed by Nick Waterhouse, 2016.
Nick Waterhouse website
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“4 American Dollars,” written by Meg Remy and Rich Morel, recorded by U.S. Girls, 2020. Video directed by Emily Pelstring and Meg Remy; VFX by Beyond Wonderland Films.
U.S. Girls website
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Comments are welcome if they are on-topic, substantive, concise, and not boring or obscene. Comments may be edited for clarity and length.
“Somebody (Loan Me A Dime),” written and recorded by Fenton Robinson, 1967. His first recording of his signature tune.
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“If You’re Gonna Do Me Wrong, Do It Right,” written by Vern Gosdin and Max D. Barnes, performed by Dawn Sears and the Time Jumpers. Dawn Sears (vocal), Kenny Sears (fiddle), Andy Reiss (guitar), Joe Spivey (fiddle), Doug Green (guitar), Paul Franklin (pedal steel), Jeff Taylor (accordeon), Larry Franklin (fiddle) Rick Vanaugh (drums), Dennis Crouch (bass).
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Comments are welcome if they are on-topic, substantive, concise, and not boring or obscene. Comments may be edited for clarity and length.
“I Don’t Know Why,” written by Thomas A. Dorsey, recorded by Katie Sankey and the W.J. Sankey Family, 1989.
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“None of Us Are Free,” written by Barry Mann, Cynthia Weil, and Brenda Russell, recorded by Hanne Boel, 2013.
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Comments are welcome if they are on-topic, substantive, concise, and not boring or obscene. Comments may be edited for clarity and length.
