HBO explores the tragedy of America’s under-funded inner-city public schools for wizards.
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“Christmas At the Waffle House,” by David Stephens & Banjolicious.
Get you some cheese grits
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“Luftraum” (“Airspace”). Aerial views of cities and roadways, infinitely spliced and remixed by Dirk Koy.
Dirk Koy website.
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“The story of Native American dispossession is too easily swept aside, but new visualisations should make it unforgettable.
Between 1776 and the present, the United States seized some 1.5 billion acres from North America’s native peoples, an area 25 times the size of the United Kingdom. Many Americans are only vaguely familiar with the story of how this happened. They perhaps recognise Wounded Knee and the Trail of Tears, but few can recall the details and even fewer think that those events are central to US history.”
— “The invasion of America,” Claudio Saunt, Aeon
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There’s a McDonald’s restaurant in Sweden that serves thousands every day — thousands of bees. The tiny apian eater, designed and built by award winning set designer Nicklas Nilsson, was purchased by a McD franchisee in Sweden at a charity auction. Several Swedish McDonald’s restaurants have rooftop beehives and bee-friendly landscaping.
More:
“McDonald’s just opened a tiny restaurant for bees — here’s what it’s like inside,” Meredith Cash, Business Insider
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Siri, Cortana, Alexa. Female voice assistants do our digital bidding. Sexist, no? Meet Q, the genderless voice of AI.
More:
“The world’s first genderless voice assistant is challenging gender stereotypes,”Cara Curtis, TheNextWeb
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“I Will Survive,” written by Freddie Perren and Dino Fekaris, performed by vocalist Sara Niemietz, with Scott Bradlee (piano, arranger), Stephen Spencer (alto sax), Lemar Guillary (trombone), Jonathan Richards (bass), Aaron McLendon (drums), Jose Perez (percussion). Dancers: Liora Paniz and José València. A Postmodern Jukebox production.
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SweeTango, Zestar, Rave, Cosmic Crisp, Evercrisp, Arctic, Kissabel, Envy. How do you like them apples?
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The Border Wall: Make Mexico fit again!
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An exhibition of Dorothea Lange’s photographs, The Politics of Seeing is currently on display at the Jeu de Paume museum in Paris. Her most well-known photograph is her 1936 portrait of Florence Owens Thompson, popularly known as “Migrant Mother.”
A video from the WorldCrunch OneShot photography series.
More:
“The Assignment I’ll Never Forget: Migrant Mother,” Dorothea, Lange, Popular Photography (1960).
“Unraveling the Mysteries of Dorothea Lange’s ‘Migrant Mother,’” James Estrin, New York Times
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