Bob Dylan and friends perform a spirited version of Hal Moore and Bill Fredricks’ “Must Be Santa.” The tune was also recorded by Mitch Miller in 1961 and Lorne Greene (with a kiddie choir) in 1966. The hilarious British attempt by Tommy Steele, OBE is more Music Hall than polka. Brave Combo’s spirited “Dyno” (“push”) version of the tune may have been Dylan’s inspiration.
Bob Dylan and friends perform a spirited version of Hal Moore and Bill Fredricks’ “Must Be Santa” on his Christmas album. The tune was also recorded by Mitch Miller in 1961 and Lorne Greene (with a kiddie choir) in 1966. The hilarious British attempt by Tommy Steele, OBE is more Music Hall than polka.
Brave Combo’s spirited “Dyno” (“push”) version of the tune may have been Dylan’s inspiration.
Bob Dylan and friends perform a spirited version of Hal Moore and Bill Fredricks’ “Must Be Santa” on his Christmas album. The tune was also recorded by Mitch Miller in 1961 and Lorne Greene (with a kiddie choir) in 1966. The hilarious British attempt by Tommy Steele, OBE is more Music Hall than polka.
Brave Combo’s spirited “Dyno” (“push”) version of the tune may have been Dylan’s inspiration.
Bob Dylan and friends perform a spirited version of Hal Moore and Bill Fredricks’ “Must Be Santa” on his Christmas album. The tune was also recorded by Mitch Miller in 1961 and Lorne Greene (with a kiddie choir) in 1966. The hilarious British attempt by Tommy Steele, OBE is more Music Hall than polka.
Brave Combo’s spirited “Dyno” (“push”) version of the tune may have been Dylan’s inspiration.
Bob Dylan performs a spirited version of Hal Moore and Bill Fredricks’ “Must Be Santa” on his Christmas album. The tune was also recorded by Mitch Miller in 1961 and Lorne Greene (with a kiddie choir) in 1966. The hilarious British attempt by Tommy Steele, OBE is more Music Hall than polka.
Brave Combo’s spirited “Dyno” (“push”) version of the tune may have been Dylan’s inspiration.
The doomed U.S. recording industry continues its dance of self-destruction. After 22 years, the Recording Academy (aka the National Academy of Recording Arts & Sciences or NARAS) has discontinued the Polka category of the Grammy® awards “to ensure the awards process remains representative of the current musical landscape.” Polka was the only Grammy® category eliminated.
The exclusion of this authentic and vigorous Roots Music has not gone unnoticed in America’s heartland: