“Torpedo,” by the Kenny Vaughan Trio, 2014. Mr. Vaughan recently recorded a version with Marty Stuart & His Fabulous Superlatives. 21st Century Western Surf Rock.
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Virtuoso electric guitarist Lonnie Mack died last Thursday at the age of 74. In 1963 he recorded the groundbreaking electric guitar instrumentals “Memphis,” “Wham!”, “Chicken Pickin,” and “Suzie Q” and is considered the father of the “Blues Rock” genre.
“The thing that makes Rivera’s cover great is that he manages to use a rapid-fire combination of drumming, slapping, tapping, plucking, and strumming to play all the song elements at the same time: vocal melody, lead riff, and drum and bass lines.”
Influential singer and guitarist Riley B. King died yesterday at the age of 89. He popularized electric Blues guitar and the Urban Blues musical style, performing under the name he adopted as a disc-jockey on WDIA radio in Memphis, B.B. King.
“The Fender Stratocaster turned 60 last year. When it came out of the factory in 1954, it didn’t sound — or look — like any other guitar. Leo Fender’s small company was looking to improve the Telecaster, its groundbreaking solid-body electric, first introduced three years earlier. But far more than a tweak here or there, Fender created an entirely new instrument that’s become almost synonymous with the phrase ‘electric guitar.'”
“Weapon Of Choice: Why The Stratocaster Survives,” Robert Goldstein, NPR News
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Image (“Stratocastrian Man, after Leonardo da Vinci and Leonardo Fender”) by Mike Licht. Download a copy here. Creative Commons license; credit Mike Licht,NotionsCapital.com
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Musician and songwriter Arthur Smith died on April third. He composed or collaborated on hundreds of songs but is best known for two, “Guitar Boogie” and “Feuding Banjos.”
More:
“Arthur Smith, guitarist who wrote ‘Guitar Boogie’ and ‘Duelin’ Banjos,’ dies at 93,” Terence McArdle, Washington Post
The Fender company makes electric guitars that have become American icons. The firm is “being buffeted by powerful forces on Wall Street,” writes Janet Morrissey:
“A private investment firm, Weston Presidio, controls nearly half of the company and has been looking for an exit. It pushed to take Fender public in March, to howls in the guitar-o-sphere that Fender was selling out. But, to Fender’s embarrassment, investors balked. They were worried about the lofty price and, even more, about how Fender can keep growing.